That Old Black Magic Has Us in Its Spell

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That Old Black Magic Has Us in Its Spell
by Timothy Spearman

apollospear@yahoo.com
Today’s youth have been programmed to accept the New World Order of Satan just as the 60’s generation was programmed to accept the revolution that would usher it in. For them it was “the dawning of the Age of Aquarius” as the Hair musical announced.Speaking of his travels and meetings with people from other lands and cultures, Friedrich Nietzsche commented, “What one people called good, another people called evil.” We do not have a chance to judge the goodness of our customs unless we can compare them with the values of other lands. It is only when you travel that you are able to remove the rose-colored glasses of your youth and gaze on the practices of your own nation and people with uncolored vision. When I traveled to Europe, I could view North American culture through the eyes of Europeans. I had been deprogrammed. For the first time, I could see my culture through foreign eyes and I developed a dislike for some things I saw from my vantage point across the Atlantic. When I traveled to the East and lived in South Korea for 12 years, I could view western culture and civilization with Eastern eyes. The imposed Eurocentric view that western history was somehow more laudable and admirable soon disappeared as the cultural programming of my early life wore off.
In my youth, I spent hours listening to the rock ’n roll groups and progressive rock bands of the 60’s and 70’s in a hypnotic fog. Some of the lyrics fascinated me. Some I barely understood. Many were psychedelic and produced a feeling akin to a drug-induced reverie. It never occurred to me at the time that I was being hypnotized, brainwashed or mind-programmed as my mother maintained. It never dawned on me that the music industry could be controlled by music companies with affiliations to intelligence services engaged in MK-ULTRA-style mind control experiments through music. But then, I did not know then what I know now.
I now know that the All-seeing Eye of Lucifer, who George Orwell referred to as Big Brother, is keeping an eye on us all. Just look at the logo for British intelligence unit MI5 and you will see the same pyramid, missing capstone and All-seeing Eye you find on the Great Seal of the United States featured on the hind side of the American one dollar bill. Indeed, Lucifer, often represented by the sun gods of the ancient world, is watching our every move. The print, music, and film industries are dominated by the Luciferian Illuminati bloodline families who have engaged in occult practices and witchcraft for centuries. Indeed, the word ‘media’ is derived from Medea, where the Medes, the sorcerers and shamans of the ancient world met to perform arcane rites for the mind-control of their subjects. Is it merely coincidence? To those who dismiss conspiracy as a theory, it will always be coincidence, but then they are so somnambulant, they would sleep through an earthquake.
How many of the rock stars of the modern era have participated wittingly or unwittingly in the program to hypnotize the young into the service of Satan. The name of the rock group KISS, for example, is said to be formed of the anagram K.I.S.S. meaning Kids in Service of Satan.
The lyrics to Kate Bush’s song “Experiment IV” is deeply disturbing in light of the Montauk and MK-ULTRA mind-control programs of the British and American Illuminati-controlled intelligence services. It is clear from the opening verses that the story is intended to be autobiographical, whether fiction or otherwise. The narrator is obviously relating an experience from his or her past. There is no definitive evidence that the speaker is Kate Bush. However, given that she is a musician, the experience seems to be close to her. Do the song lyrics convey something that happened to her or someone close to her? You be the judge:We were working secretly
For the military.
Our experiment in sound,
Was nearly ready to begin.
We only know in theory
What we are doing:
Music made for pleasure,
Music made to thrill.
It was music we were making here untilThey told us
All they wanted
Was a sound that could kill someone
From a distance.
So we go ahead,
And the meters are over in the red.
It’s a mistake in the making.From the painful cry of mothers,
To the terrifying scream,
We recorded it and put it into our machine.Note also that the experience is told in the past tense as if recalled from memory. Did Kate Bush participate in MK-ULTRA-style experiments on behalf of the British or American military? If she did, then this is a very cleverly disguised autobiographical song. To the unassuming or those not in the know, it would appear to be a song with a science fiction theme. However, there is just one problem with that analysis. Science fiction tales are normally told in the future tense.
For those unfamiliar with the MK-ULTRA program, it is said to have been a joint operation of the Anglo-American intelligence services based on the mind-control experiments undertaken by Nazi scientists during the war. Researchers such as Noam Chomsky maintain that many of these Nazi scientists were spirited out of Nazi Germany at the end of the war as part of the joint American and British intelligence operation known as Project Paperclip. Nazi operatives such as Joseph Mengele carried on business as usual with mind-control and other experiments of horror in Brazilian rainforests and other locales in Latin America. Mengele purportedly changed his name to Dr. Green and was responsible for programming many mind-control subjects of the MK-ULTRA project. David Icke’s interview with Arizona Wilder recorded on a videotape titled “Revelations of a Mother Goddess” provides chilling testimony on the subject.
Along with these experiments were others coordinated by the Tavistock Institute in London to devise means of programming the populations of the world through mind control techniques developed by the intelligence services of the western world. The aim was to perfect the techniques of the Nazis by using subliminal imaging in the mind. The human mind is only able to register 32 frames per second in film. However, the unconscious mind can pick up far more, so it is these subliminal images, which are invisible to the conscious mind, that are picked up by the subconscious. Slow the film down and you can actually see the subliminal imaging.The same technique was employed in the music industry with powerful effects. The Tavistock Institute would then conduct surveys in other countries to gather data on the effectiveness of their programming.
We speak of TV and radio ‘programs’. Indeed, television does have a programming effect. When you think about how television was first introduced as wholesome family entertainment and how through slow covert means has become a corrupting influence in the home, you realize the entire programming effort has been conducted surreptitiously and with great stealth. Once the hearth of the home not unlike the fireplace of the 19th century, the television has evolved into the most insidious psychological programming instrument in world history. Who are the modern day Medes, the techno-shamans and sorcerers of the post-industrial age? They no longer meet in Medea but control us through the ‘media’. They meet where witches have convened in covens for thousands of years, in tree groves like Hollywood and Pinewood Studios. As Ella Fitzgerald once sang so eloquently, “That old black magic has me in its spell.”


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